Rhetorical
Elements
Dialogue
Flashback
Setting
Characters
Tone/Voice
Description
Explanation/Example
Process Analysis
Comparison/Contrast
Cause/Effect
Definition
Persuasion
Irony
Audience
Point of View
Opposing View
Structural Elements
Thesis statement
Thesis development
Introduction
Conclusion
Evidence/
Supporting Details
Topic Sentence
Organization
Transitions/Unity
Paraphrase
Summary
Analysis
Mechanics
In-text Citations
MLA Works Cited
Stylistic Elements
Word Choice
Sentence Variety
Active/Passive Voice
Parallelism
Coordination
Subordination
Effective Repetition
Figures of Speech
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In his play, Our Town, Thornton
Wilder portrays a little town and its characters’ lives. The story takes
place in Grover’s Comers, New Hampshire, in 1901. The play is divided
into three meager acts. The first act functions as an introduction for
the rest of the play. The characters and the way they used to live in
the United States more than a century ago are introduced. As the story
progresses, we follow some of the characters’ life experiences such as falling
in love, gossiping, marriage, family life, but also alcoholism, and even
death. This life assemblage, present in Our Town makes the play universally
significant and meaningful for everybody who reads it because it is easy
to relate to our own past or experience.
In the second act, Thornton Wilder tells us about
two main characters’ love story. Using the special technique of flashback,
Wilder first shows how Emily and George fall in love, how they realize
they are meant to be together, and after how they end up married. This part
is also interesting because the stage manager asks us to remember the days
when we were first in love, when we were like “a person sleepwalking” (63).
For my part, it worked; while I was reading, I was really remembering the
first time I was “a little bit crazy” (63). In my past, I remember feeling
very “strong emotions” (67) for a boy, like Emily feels for George. Even
if they are usually shy about their feelings, I am also sure that a lot
of boys remember how it is to be “crestfallen”(62) because of a girl, like
George is about Emily. Also, I am convinced that a lot of married people
understand the way George and Emily feel confused and scared just before
their wedding. The only reason why I think so is that it is normal and human
to be scared of such a big step in someone’s life. Not wanting to “grow old’
(77) is typical too, as is feeling alone or wanting to “go away” (79). 1
would say that it is even frequent to feel frightened or anxious before the
official first day you start to build something important with the person
you love. Of course, it is supposed to be a wonderful day, and finally it
is for Emily and George.
There is another theme, besides Love and Engagement,
that affects me a lot. I am talking about Death, the focus of Act Three.
As he has throughout, Thornton Wilder organizes this act in a remarkable
way. Living characters, dead characters and the audience are all together
conveyed to Emily Webb’s funeral. She died of childbirth. “Yes, an awful
lot of sorrow has sort of quieted down up here” (87). The first sentiment
we feel is sadness. The entire scene is sad; we realize that Death can reach
anyone of us, even a young married woman, wife and mother, as Emily. Moreover,
a lot of characters such as Mrs. Gibbs, Simon Stimson, Mrs. Soames and even
Webb’s little boy, Wallace, died too. In this third and last act, it is amazing
how Thornton Wilder makes all the dead characters speak and share what they
are feeling with the audience. This point is really important in the play,
because from there Wilder reveals the entire point: people take life for
granted. It is a fact that life passes so fast. Most of the people don’t
know how to appreciate it anymore because they are too busy with their occupations,
and the worst is that they are not conscious that life can end at any moment.
It is really sad but true; it is too late to realize, like Emily does when
she died, that life is precious. Depressed, she now wants to go back to
earth for one day, for her twelfth birthday. Again, this is a flashback
that shows us an important point of this play. Mrs. Webb summarizes it all
in one sentence: “Just open your eyes, dear, that’s all” (103). This is
crucial and evident; we should all open our eyes and realize that life is
a gift given to us. Similarly, I think that is also a message for the audience,
or more, for the entire world. Because if we wait too long, we could regret
it, like Emily regrets it and realizes how people are troubled and live in
the “dark” (97). What is unique in the play is that it helps people (and
I am one of those too) to realize that life has to be enjoyed. If you know
how to analyze and take all the things and opportunities that are coming
to you, you have understood life’s keystone. Our Town
helped me in that way.
Now, you may say that this play is too old-fashioned
and that it can’t have meaning to a modem audience. I understand that,
and I know that the play can be considered limited with all the traditional
“clichés” that it portrays. That is true; there are not a lot of
people anymore who get married at the age of sixteen like Emily and George.
I can imagine that not a lot of people would relate the wedding in the play
to their own wedding memories because they were not seventeen, and perhaps
not as childlike. Additionally, if you are a successful businesswoman, I
can understand that you would think that Mrs. Gibbs’ and Mrs. Webb’s lives
are futile and pointless, and that you can’t relate to them at all. But there
is something that you can find in common; if you are a mother, you are like
them caring about their children. Some things will just never get old-fashioned.
Today we are living in another century, mentalities
have evolved and our style of life is completely different from the inhabitants
of Grover’s Comers’, “latitude 42 degrees 40 minutes, longitude 70 degrees
37 minutes” (4). We can find a thousand dissimilar things in Our Town that
are not like today. But the uniqueness of this play is that, with all
the differences compared to our way of living, “There is something way
down deep that’s eternal about every human being” (88).
Work Cited
Wilder, Thornton. Our Town . 1939. New York: Perennial,
1998.
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