Rhetorical Elements
Dialogue
Flashback
Setting
Characters
Tone/Voice
Description
Explanation/Example
Process Analysis
Comparison/Contrast
Cause/Effect
Definition
Persuasion
Irony
Audience
Point of View
Opposing View
Structural Elements
Thesis statement
Thesis development
INTRODUCTION
Conclusion
Evidence/
Supporting Details
Topic Sentence
Organization
Transitions/Unity
Paraphrase
Summary
Analysis
Mechanics
In-text Citations
MLA Works Cited
Stylistic Elements
Word Choice
Sentence Variety
Active/Passive Voice
Parallelism
Coordination
Subordination
Effective Repetition
Figures of Speech
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In his play, Our
Town, Thornton Wilder portrays a little town and its characters’
lives. The story takes place in Grover’s Comers, New Hampshire, in 1901.
The play is divided into three meager acts. The first act functions as an
introduction for the rest of the play. The characters and the w ay they
used to live in the United States more than a century ago are introduced.
As the story progresses, we follow some of the characters’ life experiences
such as falling in love, gossiping, marriage, family life, but also alcoholism,
and even death. This life assemblage, present in Our Town makes the
play universally significant and meaningful for everybody who reads it because
it is easy to relate to our own past or experience.
In the second act, Thornton Wilder tells us about
two main characters’ love story. Using the special technique of flashback,
Wilder first shows how Emily and George fall in love, how they realize they
are meant to be together, and after how they end up married. This part is
also interesting because the stage manager asks us to remember the days when
we were first in love, when we were like “a person sleepwalking” (63). For
my part, it worked; while I was reading, I was really remembering the first
time I was “a little bit crazy” (63). In my past, I remember feeling very
“strong emotions” (67) for a boy, like Emily feels for George. Even if they
are usually shy about their feelings, I am also sure that a lot of boys remember
how it is to be “crestfallen”(62) because of a girl, like George is about
Emily. Also, I am convinced that a lot of married people understand the way
George and Emily feel confused and scared just before their wedding. The only
reason why I think so is that it is normal and human to be scared of such
a big step in someone’s life. Not wanting to “grow old’ (77) is typical too,
as is feeling alone or wanting to “go away” (79). 1 would say that it is
even frequent to feel frightened or anxious before the official first day
you start to build something important with the person you love. Of course,
it is supposed to be a wonderful day, and finally it is for Emily and George.
There is another theme, besides Love and Engagement,
that affects me a lot. I am talking about Death, the focus of Act Three.
As he has throughout, Thornton Wilder organizes this act in a remarkable way.
Living characters, dead characters and the audience are all together conveyed
to Emily Webb’s funeral. She died of childbirth. “Yes, an awful lot of sorrow
has sort of quieted down up here” (87). The first sentiment we feel is sadness.
The entire scene is sad; we realize that Death can reach anyone of us, even
a young married woman, wife and mother, as Emily. Moreover, a lot of characters
such as Mrs. Gibbs, Simon Stimson, Mrs. Soames and even Webb’s little boy,
Wallace, died too. In this third and last act, it is amazing how Thornton
Wilder makes all the dead characters speak and share what they are feeling
with the audience. This point is really important in the play, because from
there Wilder reveals the entire point: people take life for granted. It is
a fact that life passes so fast. Most of the people don’t know how to appreciate
it anymore because they are too busy with their occupations, and the worst
is that they are not conscious that life can end at any moment. It is really
sad but true; it is too late to realize, like Emily does when she died, that
life is precious. Depressed, she now wants to go back to earth for one day,
for her twelfth birthday. Again, this is a flashback that shows us an important
point of this play. Mrs. Webb summarizes it all in one sentence: “Just open
your eyes, dear, that’s all” (103). This is crucial and evident; we should
all open our eyes and realize that life is a gift given to us. Similarly,
I think that is also a message for the audience, or more, for the entire
world. Because if we wait too long, we could regret it, like Emily regrets
it and realizes how people are troubled and live in the “dark” (97). What
is unique in the play is that it helps people (and I am one of those too)
to realize that life has to be enjoyed. If you know how to analyze and take
all the things and opportunities that are coming to you, you have understood
life’s keystone. Our Town helped me in that way.
Now, you may say that this play is too old-fashioned
and that it can’t have meaning to a modem audience. I understand that, and
I know that the play can be considered limited with all the traditional “clichés”
that it portrays. That is true; there are not a lot of people anymore who
get married at the age of sixteen like Emily and George. I can imagine that
not a lot of people would relate the wedding in the play to their own wedding
memories because they were not seventeen, and perhaps not as childlike.
Additionally, if you are a successful businesswoman, I can understand that
you would think that Mrs. Gibbs’ and Mrs. Webb’s lives are futile and pointless,
and that you can’t relate to them at all. But there is something that you
can find in common; if you are a mother, you are like them caring about
their children. Some things will just never get old-fashioned.
Today we are living in another century, mentalities
have evolved and our style of life is completely different from the inhabitants
of Grover’s Comers’, “latitude 42 degrees 40 minutes, longitude 70 degrees
37 minutes” (4). We can find a thousand dissimilar things in Our Town that
are not like today. But the uniqueness of this play is that, with all the
differences compared to our way of living, “There is something way down deep
that’s eternal about every human being” (88).
Work Cited
Wilder, Thornton. Our Town . 1939. New York: Perennial,
1998.
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