Rhetorical Elements
Dialogue
Flashback
Setting
Characters
Tone/Voice
Description
Explanation/Example
Process Analysis
Comparison/Contrast
Cause/Effect
Definition
Persuasion
Irony
Audience
Point of View
Opposing View
Structural Elements
Thesis statement
Thesis development
Introduction
Conclusion
Evidence/
Supporting Details
TOPIC
SENTENCE
Organization
Transitions/Unity
Paraphrase
Summary
Analysis
Mechanics
In-text Citations
MLA Works Cited
Stylistic Elements
Word Choice
Sentence Variety
Active/Passive Voice
Parallelism
Coordination
Subordination
Effective Repetition
Figures of Speech
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In his play, Our Town, Thornton
Wilder portrays a little town and its characters’ lives. The story takes
place in Grover’s Comers, New Hampshire, in 1901. The play is divided into
three meager acts. The first act functions as an introduction for the rest
of the play. The characters and the way they used to live in the United
States more than a century ago are introduced. As the story progresses,
we follow some of the characters’ life experiences such as falling in love,
gossiping, marriage, family life, but also alcoholism, and even death. This
life assemblage, present in Our Town makes the play universally significant
and meaningful for everybody who reads it because it is easy to relate to
our own past or experience.
In the second act, Thornton
Wilder tells us about two main characters’ love story. Using
the special technique of flashback, Wilder first shows how Emily and George
fall in love, how they realize they are meant to be together, and after how
they end up married. This part is also interesting because the stage manager
asks us to remember the days when we were first in love, when we were like
“a person sleepwalking” (63). For my part, it worked; while I was reading,
I was really remembering the first time I was “a little bit crazy” (63).
In my past, I remember feeling very “strong emotions” (67) for a boy, like
Emily feels for George. Even if they are usually shy about their feelings,
I am also sure that a lot of boys remember how it is to be “crestfallen”(62)
because of a girl, like George is about Emily. Also, I am convinced that
a lot of married people understand the way George and Emily feel confused
and scared just before their wedding. The only reason why I think so is that
it is normal and human to be scared of such a big step in someone’s life.
Not wanting to “grow old’ (77) is typical too, as is feeling alone or wanting
to “go away” (79). 1 would say that it is even frequent to feel frightened
or anxious before the official first day you start to build something important
with the person you love. Of course, it is supposed to be a wonderful day,
and finally it is for Emily and George.
There is another theme, besides
Love and Engagement, that affects me a lot. I am talking about
Death, the focus of Act Three. As he has throughout, Thornton Wilder organizes
this act in a remarkable way. Living characters, dead characters and the
audience are all together conveyed to Emily Webb’s funeral. She died of childbirth.
“Yes, an awful lot of sorrow has sort of quieted down up here” (87). The
first sentiment we feel is sadness. The entire scene is sad; we realize that
Death can reach anyone of us, even a young married woman, wife and mother,
as Emily. Moreover, a lot of characters such as Mrs. Gibbs, Simon Stimson,
Mrs. Soames and even Webb’s little boy, Wallace, died too. In this third
and last act, it is amazing how Thornton Wilder makes all the dead characters
speak and share what they are feeling with the audience. This point is really
important in the play, because from there Wilder reveals the entire point:
people take life for granted. It is a fact that life passes so fast. Most
of the people don’t know how to appreciate it anymore because they are too
busy with their occupations, and the worst is that they are not conscious
that life can end at any moment. It is really sad but true; it is too late
to realize, like Emily does when she died, that life is precious. Depressed,
she now wants to go back to earth for one day, for her twelfth birthday.
Again, this is a flashback that shows us an important point of this play.
Mrs. Webb summarizes it all in one sentence: “Just open your eyes, dear,
that’s all” (103). This is crucial and evident; we should all open our eyes
and realize that life is a gift given to us. Similarly, I think that is also
a message for the audience, or more, for the entire world. Because if we
wait too long, we could regret it, like Emily regrets it and realizes how
people are troubled and live in the “dark” (97). What is unique in the play
is that it helps people (and I am one of those too) to realize that life
has to be enjoyed. If you know how to analyze and take all the things and
opportunities that are coming to you, you have understood life’s keystone.
Our Town helped me in that way.
Now, you may say that this
play is too old-fashioned and that it can’t have meaning to a modem audience.
I understand that, and I know that the play can be considered limited with
all the traditional “clichés” that it portrays. That is true; there
are not a lot of people anymore who get married at the age of sixteen like
Emily and George. I can imagine that not a lot of people would relate the
wedding in the play to their own wedding memories because they were not
seventeen, and perhaps not as childlike. Additionally, if you are a successful
businesswoman, I can understand that you would think that Mrs. Gibbs’ and
Mrs. Webb’s lives are futile and pointless, and that you can’t relate to
them at all. But there is something that you can find in common; if you
are a mother, you are like them caring about their children. Some things
will just never get old-fashioned.
Today we are living in another
century, mentalities have evolved and our style of life is completely different
from the inhabitants of Grover’s Comers’, “latitude 42 degrees 40 minutes,
longitude 70 degrees 37 minutes” (4). We can find a thousand
dissimilar things in Our Town that are not like today. But the uniqueness
of this play is that, with all the differences compared to our way of living,
“There is something way down deep that’s eternal about every human being”
(88).
Work Cited
Wilder, Thornton. Our Town . 1939. New York: Perennial,
1998.
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