You see some writing on a note:

Grammar B

In Grammars of Style: New Options in Composition, Winston Weathers prefaces his discontent with "Grammar A" thusly:
I write for many reasons, to communicate many things. And yet, much of what I wish to communicate does not seem to be expressible within the ordinary conventions of composition as I have learned them and mastered then in the long years of my education. As I grow older, more experienced, perhaps even more mature, I sense that many of the things I want to say do not always "fit" into the communication vehicles I have been taught to construct (1).
Grammar B has been with us for a while, says Weathers, citing examples from Blake up to the then present of 1976. "The precedent of using Grammar B in prose and the grand demonstrations of Grammar B in latter-day fiction/poetry coalesced in the emergence of the "new journalism..." Weathers credits Tom Wolfe's "The Kandy-Kolored Tangerine-Flake Streamline-Baby" in a 1963 issue of Esquire for "establishing Grammar B as a truly significant alternative in our time" (3).

Twenty years later, we posit the Internet as an amazingly similar alternative. Weathers describes the following features of Grammar B:

While Pirsig's Zen and the Art of Motorcycle Maintenance has enjoyed much renown on the Internet, Weathers' contribution to composition theory goes seemingly unknown. Yet the stylistic features Weathers enumerates can be observed on practically any web page one visits. Furthermore, Weathers description of "certain basic principles of composition" will yield much the same results when one analyzes web construction. This then, will become the site of a Weathersonian study of web constructs at a future date. Until then, I will volunteer, as did Weathers, to go first.
You finish reading the note...
The note crots at you synchronically, "PuT mE bAcK."