Steven Wexler

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English 638: Seminar in Critical Approaches to Literature
Spring 2010
Jerome Richfield Hall 319
M 4:00 - 6:45
Office Hours: M 2:00 - 4:00, W 10:00 - 11:00, W 3:00 - 4:00
and by appointment

Books
Eagleton. Literary Theory: An Introduction
Kingston. The Woman Warrior
Murray. Classical Literary Criticism
Rivkin. Literary Theory: An Anthology
Shaffer. Equus
Sinclair. The Jungle

 

This graduate seminar explores major critical approaches to literature with particular attention to theoretical movements of the last hundred years.  After a brief introduction to criticism in Greek antiquity, we’ll leap ahead to the "rise of English" in the 18th and 19th century and then settle comfortably in the 20th. Our theory will be grouped around four important contemporary creative works: Peter Shaffer’s Equus, Upton Sinclair’s The Jungle, Maxine Hong Kingston’s The Woman Warrior, and David Lynch’s The Elephant Man.  

Our texts are grouped as follows:

Equus: Formalism, Structuralism, Post-Structuralism, Psychoanalytic Criticism
The Woman Warrior: Feminism, Gender Studies, Post-Colonial Theory
The Jungle: Marxist Theory
The Elephant Man: Historicisms

Your Responsibilities include blog, discussion group presentation, midterm paper, and final paper:


BLOG
During the first week of class, create a blog devoted to literary theory. NOTE: Your blog is important!  You’ll have all of your work, including weekly reflections, posted on your blog; your classmates will read your blog as will scholars from across the world.  Since this is your personal blog, it will be tempting to write informally, as if you’re chatting to a friend. All of your work, however, must meet high academic standards including a formal tone. But feel free to be creative; experiment with new media. When you create your blog, be sure to do the following:

1. Email me your blog address
2. Include your preferred email address on your blog
3. Title your blog
4. Weekly reflections @100 - 250 words (e.g., apply the week's reading to a brief analysis of, say, a YouTube clip)
5. Include all assignments

DISCUSSION GROUPS
Early in the semester, form discussion groups devoted to one of our primary texts (The Woman Warrior, The Jungle, Equus, and The Elephant Man) and its respective theoretical context (e.g., post-colonial theory). Exchange email addresses with your groupmates and try to meet or correspond outside class (there should be opportunities to workshop presentations during class). When it is your group's turn to lead a discussion (not lecture), be sure to do the following:

1. Design a classroom activity
2. Consider alternative media choices (e.g., YouTube clip)
3. Include a 250-word reflection on your blog where you state in explicit terms how you contributed to your group's presentation


MIDTERM PAPER
This five-page essay assignment (@1250 words) asks that you further craft any of the theoretical work done up to midterm. Your essay is argumentative in nature and requires that you put forth a thesis, a claim that could take your reader beyond the primary text at hand (e.g., Equus). To ensure that your essay considers the breadth of scholarly conversation surrounding your topic, you're also asked to create a five-text annotated bibliography of essays and/or books on theory not covered in class. Here, then, are your requirements:

1. Five-page essay plus Works Cited (MLA style)
2. Five-text Annotated Bibliography (essays and/or books on theory not covered in class)
3. Paper version for class review
4. Blog version

FINAL PAPER
Your final, ten-page paper (@2500 words) asks that you apply any of the theory discussed during the semester to another major work of fiction, in this instance, a novel, play, or film. You will want to reference the theoretical work already done for the semester, including the analyses of our primary texts.

With this essay assignment, I am most interested to see how you weave in our previous theoretical work with an analysis of a text of your choosing. The best essays will consider the larger implications of a particular theoretical analysis and present a substantial body of secondary sources. Your requirements are the following:

1. Ten-page essay plus Works Cited (MLA style)
2. In-class workshopping
3. Blog Version

GRADES
I grade holistically. Your assignments will receive comments, suggestions, and a grade range, e.g., "A-/B+". Your final grade will come at the semester's end, once your work is assessed in its entirety. Please feel free to come by my office, email, or phone me if you have concerns at any time during the semester.  NOTE: it is most important that you check your email throughout the semester.

ATTENDANCE
This class is a workshop of peers and attendance is absolutely necessary.  Please do not come late to class since repeated late arrivals will count as a full absence. 

NOTE: You cannot pass this course if you miss more than two classes, miss an assignment, or plagiarize.

ACADEMIC HONESTY
You must be scrupulously honest in documenting the work that you have drawn from others.  Like other institutions, CSUN maintains a strict academic honesty policy.  Plagiarism is illegal and dishonest.  All cases of academic dishonesty must be reported to the Dean, who may suspend or permanently dismiss you from CSUN.  You will receive a course grade of F if you plagiarize in our class.


Syllabus

Please note that all course requirements and policies are subject to change.
Not all class readings are included below. 
Work is due on the date that is appears.

1/25
Introductions
Syllabus Review
Form Discussion Groups

2/1
Murray. Classical Literary Criticism:
"Introduction"
Plato: Ion
Plato: Republic 2-3, 10
Aristotle: Poetics
Longinus: On the Sublime

2/8 NO CLASS

2/15
Eagleton. Literary Theory: An Introduction
"Introduction: What is Literature?"
"The Rise of English"

Rivkin and Ryan. Literary Theory: An Anthology
"Introduction: 'Formalisms'"
"Bakhtin, 'Discourse in the Novel'"
"Bakhtin, Rabelias and His World "

2/22
Eagleton. Literary Theory: An Introduction
"Structuralism and Semiotics"
"Phenomenology, Hermeneutics, Reception Theory"

Rivkin and Ryan. Literary Theory: An Anthology
"Saussure, Course in General Linguistics"
"Levi-Strauss, 'The Structural Study of Myth'"

3/1
Eagleton. Literary Theory: An Introduction
"Psychoanalysis"
Rivkin and Ryan. Literary Theory: An Anthology
"Freud, Beyond the Pleasure Principle"
"Freud, Group Psychology and the Analysis of the Ego"

"Lacan, 'The Mirror Stage'"
"Lacan, 'The Symbolic Order'"
"Lacan, 'The Instance of the Letter'"
"Deleuze and Guattari, The Anti-Oedipus"

3/8
Eagleton. Literary Theory: An Introduction
"Post-Structuralism"
Rivkin and Ryan. Literary Theory: An Anthology
"Introduction: 'The Class of 1968'"
"Bataille, 'Heterology'"
"Derrida, 'Différance'"
"Foucault, 'Discipline and Punish'”
"Lyotard, 'The Postmodern Condition'"

3/15
Shaffer. Equus
Discussion Group 1
MIDTERM PAPER (extended to 3/22)

3/22
Rivkin and Ryan. Literary Theory: An Anthology
“Introduction: ‘Starting with Zero: Basic Marxism’”
Marx, “Grundrisse
Marx, “The German Ideology
Marx, “Manifesto
Gramsci, “Hegemony”
Althusser, “Ideology and Ideological State Apparatuses”

3/29 NO CLASS

4/5  Spring Recess

4/12
Sinclair. The Jungle
Discussion Group 2

4/19
Rivkin and Ryan. Literary Theory: An Anthology
“Introduction: ‘Feminist Paradigms’”
Foucault, “The History of Sexuality
Butler, “Imitation and Gender Insubordination”
Gilbert and Gubar, “The Madwoman in the Attic

"Montrose, Introduction: 'Professing the Renaissance'"
"Said, Orientalism
"
"Anzaldua, Borderlands/La Frontera"

4/26
Kingston. The Woman Warrior
Discussion Group 3
Final Paper Workshop (Partial Drafts Due)

5/3
Lynch. The Elephant Man
Discussion Group 4

5/17  BLOG PROJECTS DUE